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They started to gain wider attention, however, with a local paper appealing to find out who the artist was and what was behind them. He described the stickers as a "skateboarding chain letter" which were just supposed to be seen by the people within his community. He then made a few more "as a joke" and used his fake ID to get into clubs where he would post them, as well as placing them on outside street signs. He spotted the image in a newspaper, created a stencil and added the words "has a posse" as a nod to hip hop culture.
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In doing so, he draws parallels between advertising and propaganda, encouraging viewers to question the role that marketing plays in their conscious and unconscious decisions.įairey created this sticker, which shows the face of French wrestler André René Roussimoff (perhaps best known for his role as Fezzik in The Princess Bride), while showing a friend how to make stencils. Fairey often fuses appropriated commercial images, in the manner of Pop Art, with strong geometric lines and shapes which are reminiscent of Russian Constructivism.This in turn helps to initiate conversations about social, political, and legal constructs. Much of Fairey's Street Art is intended to stimulate curiosity and make people think about their surroundings, placing their own interpretation on the work based on its context and their personal thoughts and experiences.
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He provides many of his poster designs for free on his website and through other media so they can be used as a tool by protesters and other activists to challenge the status quo.


This exhibition also marks the first time Fairey presents metal relief plates as art pieces, layered with silkscreen, furthering spatial extent within the work.
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Relating to the surfaces of his street work, the hand painted multiple (HPM) works in this series have backgrounds of stenciled pulp, collage, screenprint and embossment, allowing the image to pop off of its vintage, layered surface. Though Shepard approached the work in the same way that he does in his studio, Pace Editions provided the opportunity to scale the work to a larger size.

On view will be a number of silkscreens done with collage and spraypaint, as well as handmade paper, embossment and relief prints, and large metal plates with screenprint. During this residency he also went out on the streets and made a number of large murals. Responding to the energy of New York, Fairey worked on this technically complex body of work in a series of sessions at the Pace Editions studios. Harmony & Discord references the global dichotomy of politics what forces it creates on the grand scale and how that reflects on the actions and awareness of the individual. This is Shepard’s first exhibition with Pace Prints and premiers his first works in handmade paper as well as the largest screenprints he has done to date. Pace Prints is pleased to present Harmony & Discord, an exhibition of new works by Shepard Fairey, created in the Pace Editions studios in New York.
